I find that revisiting things that I started working on months if not years ago can be a good thing. There is something about putting some distance between you and moments of creative energy that helps refine the image. I wouldn't say it's true all the time — sometimes immediacy is a part of the story you have to tell, but in many cases, like the image I put together here, it needed time to "cook." When you're out there in the field there are often a few visuals that grab your attention and you can become a little fixated on just those objects or plays of light, and when you come back and sort through what you shot you are looking for those few visual cues. But given a little time you begin to see new things that were going on and your brain starts to make connections between one visual and the next. Of course those connections often come to me in the middle of the night and then it keeps me awake — but that's another story. I've been reading a lot about Andrew Wyeth lately, and how he set aside paintings for long periods before finally finishing them. If I remember correctly there was one painting that he started and gave up on, then his kids needed a nice flat board to put their toy train layout on, so the back side of this painting served them very well. Then, years later, at the encouragement of a friend he decided to pull the old piece out and finish it up and he was very pleased with the result.So I've resolved not to be in a hurry to finish my pieces, and to not totally give up on making an image from a piece that doesn't work right away. Just give me some time.
