When I was in grade school my art teacher introduced me to burlap, yarn, and stitching. (Please keep it a secret because it's not considered the most manly of things for an adolescent boy to do). I liked it so much that after the class project was done I begged my mom to go to the local fabric store and buy me a big piece of green burlap and a skein of multicolored yarn. And there I'd be, sitting in my bedroom, pushing a big needle over and under the coarse burlap. I would dash across the burlap with the "running" stitch, and then create a wavy line with the "chain" stitch and then a row of "French knots." I'd eventually lay the needle down and walked over to my friend's house so that we could build a fort in his garage and play army. You can tell your friends about that part of my life .
After the long and lonely stitch lines that defined the length of the piece, I concentrated my efforts on one side of the bath towel sized burlap. The design morphed as it grew left to right. I didn't take the time to create a master plan. I just started stitching. My skill level increase
d, my concept changed, I experimented with new stitches and new yarns, and when I was in a good mood I created more complex motifs, and when tired or grumpy I would keep the technique simple, not wanting to tempt frustration. For some reason I worked around my intitial stitches that ran the length of the burlap, and in some cases I drew attention to them by building symmetries either side of the stitching.Little did I know that I was creating a design that would reflect my life. I love variety — morphing motifs. That's one reason I think I head to the beach so often. Wind and water mold the soft sands into new visions by the hour. The waves wash up new subjects overnight. But there are always some threads that pull everything together. Even though I don't like to admit it, I need to be pulled together. Thanks for keeping me together MLD.
