Broken

I have long held the belief that the reason so many people in "modern" society have rejected or neglected their faith is because they distance themselves from the power of the natural world. Many of us work in controlled environments, we get around in our private glass and steel bubbles on wheels with air conditioning, surround sound, navigation systems, and voice activation. We have homes that condition our water and our air and bring us explorers standing on the edge of volcanoes in high definition at 52 inches diagonally — while tucked in our overstuffed chair. We walk to the kitchen and open a door to a cool stash of entrees that can be popped in the microwave for three-and-one-half minutes to provide us an exotic steamed meal.
Every once in awhile we get a pint-sized dose of reality when a thunderstorm interrupts our day at the lake, but we never stick around to experience the full effect of the storm. We retreat to our autos, or cottage, or park pavilion until it passes.
I wonder what it was like to take a covered wagon across America on the Oregon trail in 1840? Out on the great plains you see a massive storm build on the horizon. There is little you can do but hope and pray that it will dissipate before it reaches you. And when it doesn't, you huddle in the wagon. The leaky patched canvas is more a liability than protection as the first violent wind gusts are caught in these prairie sails and rock the wagon from side to side. Your hair stands on end each time the lightening cracks. Deafening thunder seems to roll continuously. Horizontal rain and hail crush the tall grass around you. You are totally vulnerable for most of an hour.

In today's world we're pretty good at avoiding vulnerability.
Looking at Little Traverse Bay this past weekend I marvel at the incredible energy in the form of wind and water that snapped these thick slabs of ice and then stacked them up on the end of the bay. Some slabs were at least eight inches thick and must have weighed thousands of pounds. I think how easily I could be broken, even though I'm playing it safe in the way I conduct my life. I am really vulnerable. It provides a lot of comfort to me that I belong body and soul to a God who is much greater than myself.

Opposites

I've always been intrigued by how often nature seems to show contradictory behavior. Years ago, the US Forest Service used to jump to the rescue of the great forests by taking extraordinary measures to put out all forest fires. Now there are times when they let some sections burn or even set forest fires (controlled burns) Why? Because they discovered that some trees and plants only regenerate if they have been through a fire. So something as destructive as fire causes new life — doesn't seem right.
Lots of people nowadays are turning to vegetarian diets (and I can see the wisdom of that choice) but I find it somewhat humorous that the Good Lord created some plants that eat animals — as in the pitcher plant that traps insects and slowly dissolves them into food.
I captured this image the other day on the beach near Petoskey State Park. I was struck by the contrast. The sand was smooth and sculptural while the water was textural and flat. The lighting seemed soft on one and harsh on the other. These results were both caused by the same force — the wind, but with very different results.
It's pretty obvious to me that the Lord loves diversity — well some diversity. He obviously doesn't like both good and evil — so I guess there is diversity about diversity. I think I better stop now.

Looking Up

This time of year it's real easy to spend your time looking at what's around your feet. The woodland wildflowers have just a couple weeks to soak in the sun and tempt the insects with their beauty and fragrance before the canopy of maples and beeches block out the sky. Spring beauties, dutchman's breeches, trout lilies, trilliums, and marsh marigolds are occupying every inch of forest floor and their colors and shapes are intoxicating for photographers as well as insects.
I walked up the ravine to the hills where the big beeches live just to find a place to sit and enjoy the breeze. I've often found that if I just relax and observe for a few minutes I'll begin to see new things or old things in new ways. I looked up at a nearby beech tree that had a muscular trunk and then re-focused my eyes on the twigs of sapling beeches that filled space like baby's breath in a bouquet. I've looked at these beeches for years and I'm sure I've seen these leaves emerging before, but today, I really saw them — I took time to enjoy them.
I always look forward to the arrival of the wildflowers in the Spring and I'm sure I always will. But now there's something new to look forward to.

Give Art

Like Brooms of Steel
The Snow and Wind
Had swept the Winter Street ...

I love that imagery of Winter by Emily Dickenson. Those words are true of the last few days here in Northern Michigan. After an exceptionally mild November, we have rushed headlong into winter. I found the brooms of steel at work in the parking lot of the local state park. What an eclectic bas-relief created by the wind scouring layers of sand, snow, and gravel, with the addition of some formal structure via human intervention. Little did they know, those folks in that last vehicle of the season — the last vehicle before the gates were closed — that they were creating art. But I think that creating art happens all the time by people who are unaware that they are doing so. It's art when you give someone a hug. It's art when you bake some cookies for a friend, and it's art when let someone with fewer items go ahead of you in line at the grocery. Give art this Christmas season.

The Problem of Beauty

Why is there beauty in the world? There are many days that I feel that I don't deserve it — to be blessed by it, but there it is.
I was walking along the beach thinking that my excursion was going to be a wash-out. I didn't particularly feel creative or inspired. I was trying to think positive — telling myself that at least I was getting some exercise. It wasn't the right time of day — mid-day — to get those nice shadows and warm colors. There were too many people enjoying the beach that day — good for them but they only interrupted my concentration. I didn't even pull out my camera until 20 minutes into my walk.
I waded into a puddle formed where sand had blocked a stream from making a quick entrance into the bay. I had been at this location many times and in my cynicism I was thinking that I had pretty much explored the place from every angle possible, and that anything I created that day would just be a repeat of something I had done before. I stood on the edge of the pond looking at some broken beach toys that were half buried in the sand. I slowly turned around and saw the image that accompanies this blog entry.
I noticed that stirring the water with feet caused beautiful ripples on the pond. Who had left their lounge chairs on the beach? Why had all this dark sediment settled on the bottom of the pond creating a reflective pool? Why was this stretch of beach vacant when every other inch of sand seemed occupied?
Just accept the beauty Bob! Enjoy the moment. You are blessed.

Two Views of the Bay — Variety

When I was in grade school my art teacher introduced me to burlap, yarn, and stitching. (Please keep it a secret because it's not considered the most manly of things for an adolescent boy to do). I liked it so much that after the class project was done I begged my mom to go to the local fabric store and buy me a big piece of green burlap and a skein of multicolored yarn. And there I'd be, sitting in my bedroom, pushing a big needle over and under the coarse burlap. I would dash across the burlap with the "running" stitch, and then create a wavy line with the "chain" stitch and then a row of "French knots." I'd eventually lay the needle down and walked over to my friend's house so that we could build a fort in his garage and play army. You can tell your friends about that part of my life .

After the long and lonely stitch lines that defined the length of the piece, I concentrated my efforts on one side of the bath towel sized burlap. The design morphed as it grew left to right. I didn't take the time to create a master plan. I just started stitching. My skill level increased, my concept changed, I experimented with new stitches and new yarns, and when I was in a good mood I created more complex motifs, and when tired or grumpy I would keep the technique simple, not wanting to tempt frustration. For some reason I worked around my intitial stitches that ran the length of the burlap, and in some cases I drew attention to them by building symmetries either side of the stitching.

Little did I know that I was creating a design that would reflect my life. I love variety — morphing motifs. That's one reason I think I head to the beach so often. Wind and water mold the soft sands into new visions by the hour. The waves wash up new subjects overnight. But there are always some threads that pull everything together. Even though I don't like to admit it, I need to be pulled together. Thanks for keeping me together MLD.